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Collection: nationalrecordsoffice.books
Description: This contains four sections, each divided into several chapters: Part 1: Western rules and theories divided into two chapters. The first chapter is on the science of music, which is further divided into several sub-sections. The second chapter includes music as an art. Throughout the book, from this first part, examples are given of rhythmic harmony. Part 2: Military marches are divided into four chapters. This includes heritage marches, military Jalalat, composed marches, Sudanese Battalion marches. Part 3: Horn instruments and military traditions divided into four chapters. This includes the definition of the mullet machine, the slogans of units and leaders, daily shifts, military peace's using the mullet . Part 4: The science of instruments is divided into six chapters. This includes the composition of orchestras, string instruments, wooden and acoustic instruments, brass instruments, rhythmic instruments. The book also contains a number of images and a conclusion.
Collection: nationalrecordsoffice.books
Description: Contains a number of chapters focusing on various aspects of the Jalalat and Army Marches: 1. Religious-style Jalalat* 2. Jalalat in Sudanese language and dialects 3. Jalalat training centres 4. Composed marches 5. Sudanese Ort (Battalions) marches 6. Popular marching songs 7. Pioneers of Sudanese music 8. Historical images of Sudan Defence Force Music 9. The leader or maestro of the band 10. Sudanese tones and musical scales 11. Conclusion *The name Jalalat is originally derived from Sufi methods that established prayer circles to spread the Islamic da'wa. The name derives from His Majesty, Allah Almighty, and successive generations did not know who recorded these robes and marches in terms of their regions and the occasions for which they were composed, the military marches and the Jalalat contributed to the recording of Sudanese folk music for different cultures. The popular songs that were sung for enthusiasm, exile and against colonalism, so the recording and preservation of these villas and marches as a military cultural heritage leads to the origin of the march of Sudanese art, which can be added to the history of Sudanese and military music.
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